Wonder Woman 84 (WW84) has an exciting and very engaging start, and then at about the 45-minute mark, it collapses completely.
This sequel is way more cartoonish than the original 2017 movie, which was a fantastic movie, and I felt like it was a bit more grounded in realism than this movie. My only issue with the original film was Diana and Ares’s final battle scene — Everything else about it was terrific.
It has been roughly 60 years since the events of Wonder Woman 1 — we see Diana Prince (Gal Gadot) still heartbroken over the loss of Steve Trevor (Chris Pine); she lives a quiet life, maintaining a low profile, she dines alone. She seems envious of the couples she sees dining out. Diana works at the Smithsonian in Washington DC and lives in what appears to be the infamous Watergate building.
There is tons of cheesiness throughout this movie — some work, and some do not. The main villain here is a wishing stone; An ancient mystical stone that grants wishes but takes something away from you in return. An evil god of deception created this wishing stone — You wish for something, and it cost you something.
Diana uses this wishing stone to resurrect her old boyfriend Steve from the dead. However, Steve returns in the body of another person. This was pretty weird and problematic for many reasons, but I felt like they could have easily brought Steve back just as he was without the whole body snatcher thing.
Steve Trevor not being a more significant part of the plot here like he was in the original Wonder Woman was a bummer. Also, the White house fight scene was bizarre and ridiculous. The plot’s globetrotting parts are flimsy, and I was not too fond of all the Middle East scenes.
Nevertheless, there are some cool things I enjoyed. The 1980’s mall scene was fun and cool, although not as cool as the 1980s Stranger Things season 3 mall scenes, but close enough. The feel and vibe of Washington DC in the 1980s were very close to how the city felt and looked in those days. The overabundance and greed of the Reagan 80s were well depicted, but it was missing a bigger 80’s soundtrack to grasp the era better. Steve witnessing what the world has become and all the technological advances are some of the funniest moments in the entire movie.
In any case, apart from the whole resurrection weirdness, there are a bunch of continuity issues connecting this movie with the rest of the DC Extended Universe movies. The events here are not even referenced in any of the other DC Extended Universe movies, nor they seem to impact any of the storylines in Dawn of Justice or Justice League. Those two movies are supposed to be directly connected with Wonder Woman and her storyline.
And, of course, the Linda Carter cameo can not be understated. It was an exceptional moment in this movie.
Max Lord (Pedro Pascal) is a villain with very little villainy and malice in him — he is driven mainly by greed and desperation. Pascal’s performance is a bit over the top but excellent. I can tell that he was all in to make this character work. Max Lord is a failing businessman slash TV personality with tons of huckster charm. It is implied that he has been searching for the wishing stone for a long time.
Barbara Minerva (Kristen Wiig) is another interesting character with a compelling arc. She is a gemologist, newly employed at the Smithsonian. She dreams of being someone else, and then thanks to the wishing stone, she becomes someone else. My main issue with this character is that I felt like we needed more Barbara Minerva and less of Cheetah. Barbara’s transformation into Cheetah should have been hinted at by the end of the movie and then have her return in the next film as the main antagonist.
Anyhow, Kristen Wiig seemed to be having lots of fun playing this Barbara/Cheetah character. The chemistry between Barbara and Max is solid, and the scene where Barbara is jogging and is attacked was very entertaining.
Wonder Woman 84 delivers a message of compassion and empathy, I think. Diana shows us that it takes real strength to love your enemy and that the true meaning of bravery lies in your respect and compassion for life. I liked how the fight sequence between cheetah and wonder woman is primarily a verbal fight scene. Diana feels compassion for Barbara and wants her to come to her senses…. the scene paid off for me.
The same thing for Max — Diana understands Max’s pain; she reasons with him and connects with his humanity. They both share emotionally well-acted scenes, which felt satisfying or even more satisfying than the action scenes.
Wonder Woman 84 is a complicated and bold movie to watch. It brings an unapologetic message of forgiveness, empathy, and kindness to the audience. Still, it doesn’t become preachy in its delivery—it is a superhero movie where both villains get a chance to redeem themselves and just walk away. Multiple viewings are needed to grasp what this movie attempts to execute.
Three out of Five Popcorn Bags 🍿🍿🍿
WONDER WOMAN 1984 (2020).