This is not the Perry Mason show most people remember. It is essentially an origins story, where Perry Mason (Matthew Rhys) is not a 1950s trial lawyer yet; he is a private investigator working for a defense attorney investigating the kidnapping of a baby that went horribly wrong.
Set in 1932 around the great depression era of Los Angeles — beautifully shot in a gritty noir style, with an obvious high level of quality all around the production; the cinematography, the lights, the sets, the costumes — It is all very well put together. There is this intense and dark atmosphere to the show —plus, all the gruesome scenes and all the police corruption of the LAPD are crucial components of the series.
There is this cool Sam Spade vibe to this early version of Perry Mason. Our protagonist is inhabiting a dangerous and sleazy world while remaining morally ambiguous. He wears a fedora, dresses in black, looks rough, gets into brawls. He is down and out, living in what little remains of his family’s old farm. He buys clothing and personal things from the mortuary out of recently deceased bodies. He fights the good fight but rarely wins; in a way, the system always has the last laugh at his expense.
Matthew Rhys delivers a captivating performance. He portrays Perry Mason as this gloomy, haunted, tormented, full of pain, broken down character. Completely opposite of how I remember the Raymond Burr version of Perry Mason.
The casting is terrific. Especially the Paul Drake character who was Mason’s investigator in the original series and books. He was initially envisioned as a white character; however, In HBO’s reboot, Paul Drake (Chris Chalk) is an African-American LAPD beat cop with a compelling backstory. Detective Holcomb (Eric Lange) was Mason’s nemesis in the book series and showed up on the TV show a few times. It seems like Holcomb is about to become a more prominent character in the upcoming seasons. Shea Whigham shows up as Pete Strickland, Mason’s detective partner — Whigham was outstanding in Boardwalk Empire, and he is outstanding here as well.
Sister Alice (Tatiana Maslany) is a charismatic 1930s radio evangelical preacher. There is an air of cultish, Scientology vibe to this character and of her entire congregation. Della Street (Juliet Rylance) is Mason’s legal assistant in the TV show and the book series. She is a highly competitive law clerk but cannot practice independently due to all the gender biases of the 50s. Lupe (Veronica Falcon) steals every scene she is in; her character seemed to be the only one to have a deep connection and understanding of Perry’s trauma and suffering. The performances by the entire all-star ensemble cast is excellent.
The show feels somewhat slow at first and a bit drawn out, but I did not mind it much. Things get going after the first few episodes, and then it gets into a solid rhythm. How the storyline came together at the end was well done; it was refreshing, and it came with some unexpected twists.
It is safe to say that the original Perry Mason show of the 1950s basically established the television courtroom drama. However, HBO’s Perry Mason is not your typical courtroom drama; it is an ambitious reimagining of this iconic TV character. His re-introduction to new audiences is different from anything else currently on TV.
Four out of Five Popcorn Bags 🍿🍿🍿🍿
PERRY MASON (Season 1, 2020). Streaming on HBO
Rod Rioja 