*MOVIE RECAP: THE SUICIDE SQUAD

I went into this movie feeling pretty skeptical and not expecting to enjoy it as much as I did. However, I get the sense that the DC Extended Universe (DCEU) is finally beginning to find its way. 

Zack Snyder’s Justice League (2021) was an exceptional achievement. Birds of Prey (2020) was pretty fucking enjoyable. And now we have The Suicide Squad (2021), which is not really a sequel or a reboot of the 2016 Suicide Squad movie, but more of a fixer-upper slash relaunch of the series — Will Smith is out, and Margot Robbie is in; she is now the heart and soul of this franchise.

The original 2016 Suicide Squad movie wasn’t that bad, but it wasn’t very memorable. I could tell that some editing issues plague the final theatrical cut. But, surprisingly, Will Smith was actually good in it, playing Deadshot — he was not as annoying as he usually is. And of course, Margot Robbie was excellent. She came to this role well prepared — she took this Harley Quinn character seriously and did some solid research before taking on this role. 

Here, what stands out the most is how director James Gunn uses many of the same elements from his Guardian of the Galaxy movies and how well those same elements work.

The premise is generally the same as the 2016 movie; the Suicide Squad is again comprised of a bunch of imprisoned super-villains who the US government recruits to fulfill a suicide mission. Some of these villains have unique superpowers, and some are just highly skilled at killing people and blowing shit up. 

The members of this new Suicide Squad are quirky characters with some very unique and odd qualities. Most notably, Polka-Dot Man (David Dastmalchian), King Shark (Sylvester Stallone ), Peacemaker (John Cena), Ratcatcher (Daniela Melchior), Savant (Michael Rooker), Blackguard (Pete Davidson), and Weasel (Sean Gunn). All of these new characters get a nice and quick backstory slash introduction at the start of the movie.

We also have newcomer Bloodsport (Idris Elba), who is essentially the same character as Will Smith’s Deadshot. Additionally, the main star of this franchise, Harley Quinn, is back along with Amanda Waller (Viola Davis), Rick Flag (Joel Kinnaman), and Captain Boomerang (Jai Courtney). 

Our anti-heroes are sent to a fictional Latin American island nation in a seek and destroy mission to kill an alien creature being kept in a lab. And of course, unexpected things go down, and no one is safe — everyone is expandable.

Spoiler alert! We have a few characters played by big-name actors who get killed almost immediately — that was surprising but also pretty cool.

The casting of super-criminals is solid. John Cena is hilarious, especially when making dick jokes — Cena is finding his niche as a muscle-bound action-comedy actor. 

Polka-Dot Man was a weird-ass character, but a pretty compelling one. He has this sad and tragic backstory with big-time mommy issues. Sylvester Stallone is outstanding voicing King Shark — This character is a more interesting version of Groot. Taika Waititi showing up as Ratcatcher’s father was an exceptional choice.

Rick Flagg was developed better here and was a lot more likable than in the 2016 movie. Amanda Waller is the most consistent character from both Suicide Squad movies. She continues to be a sinister force behind the scenes. 

But unquestionably, Harley Quinn is better as the lead character and not as a side character like she kinda was in the 2016 movie. Margot Robbie embodies this character beautifully, as we all got to see in Birds of Prey. 

I liked the whole thing of Harley getting kidnapped by dictator Silvio Luna (Juan Diego Botto). This plotline was crucial to develop Harley Quinn further as a character. Not to mention how lucky Juan Diego Botto was on having an on-screen hookup scene with Margot Robbie — Every geek in the universe was dying with envy.

My only issue with this movie is in the same old Hollywood-style representation of Latin American stereotypes.

First of all, whoever wrote the Spanish language dialogue and characters is a clueless asshole. Or maybe it wasn’t one person, and instead, it was a group of clueless assholes. It doesn’t really matter — the whole thing was beyond insensitive; it was dumb and irresponsibly stupid. Hollywood still doesn’t “get it” when it comes to writing Hispanic characters. They don’t really care to reach out to writers like myself or others like myself with real-life experiences and who can actually write legit Spanish language dialogue and write more believable and less cartoonish Hispanic characters.

In any case, Besides all the poorly written Spanish-speaking characters, The Suicide squad is a shockingly fun and wild ride, full of over-the-top, gruesome violence, with some cool and unexpected twists and turns. There is solid chemistry between all of these new characters. They are all bad guys but with some slight redeeming qualities, similar to Deadpool in terms of sarcastic tone. James Gunn needs to make more of these movies.

Three out of Five Popcorn Bags 🍿🍿🍿

The Suicide Squad (2021).

*MOVIE RECAP: WONDER WOMAN 84

Wonder Woman 84 (WW84) has an exciting and very engaging start, and then at about the 45-minute mark, it collapses completely.

This sequel is way more cartoonish than the original 2017 movie, which was a fantastic movie, and I felt like it was a bit more grounded in realism than this movie. My only issue with the original film was Diana and Ares’s final battle scene — Everything else about it was terrific.

It has been roughly 60 years since the events of Wonder Woman 1 — we see Diana Prince (Gal Gadot) still heartbroken over the loss of Steve Trevor (Chris Pine); she lives a quiet life, maintaining a low profile, she dines alone. She seems envious of the couples she sees dining out. Diana works at the Smithsonian in Washington DC and lives in what appears to be the infamous Watergate building.

There is tons of cheesiness throughout this movie — some work, and some do not. The main villain here is a wishing stone; An ancient mystical stone that grants wishes but takes something away from you in return. An evil god of deception created this wishing stone — You wish for something, and it cost you something.

Diana uses this wishing stone to resurrect her old boyfriend Steve from the dead. However, Steve returns in the body of another person. This was pretty weird and problematic for many reasons, but I felt like they could have easily brought Steve back just as he was without the whole body snatcher thing.

Steve Trevor not being a more significant part of the plot here like he was in the original Wonder Woman was a bummer. Also, the White house fight scene was bizarre and ridiculous. The plot’s globetrotting parts are flimsy, and I was not too fond of all the Middle East scenes.

Nevertheless, there are some cool things I enjoyed. The 1980’s mall scene was fun and cool, although not as cool as the 1980s Stranger Things season 3 mall scenes, but close enough. The feel and vibe of Washington DC in the 1980s were very close to how the city felt and looked in those days. The overabundance and greed of the Reagan 80s were well depicted, but it was missing a bigger 80’s soundtrack to grasp the era better. Steve witnessing what the world has become and all the technological advances are some of the funniest moments in the entire movie.

In any case, apart from the whole resurrection weirdness, there are a bunch of continuity issues connecting this movie with the rest of the DC Extended Universe movies. The events here are not even referenced in any of the other DC Extended Universe movies, nor they seem to impact any of the storylines in Dawn of Justice or Justice League. Those two movies are supposed to be directly connected with Wonder Woman and her storyline.

And, of course, the Linda Carter cameo can not be understated. It was an exceptional moment in this movie.

Max Lord (Pedro Pascal) is a villain with very little villainy and malice in him — he is driven mainly by greed and desperation. Pascal’s performance is a bit over the top but excellent. I can tell that he was all in to make this character work. Max Lord is a failing businessman slash TV personality with tons of huckster charm. It is implied that he has been searching for the wishing stone for a long time.

Barbara Minerva (Kristen Wiig) is another interesting character with a compelling arc. She is a gemologist, newly employed at the Smithsonian. She dreams of being someone else, and then thanks to the wishing stone, she becomes someone else. My main issue with this character is that I felt like we needed more Barbara Minerva and less of Cheetah. Barbara’s transformation into Cheetah should have been hinted at by the end of the movie and then have her return in the next film as the main antagonist.

Anyhow, Kristen Wiig seemed to be having lots of fun playing this Barbara/Cheetah character. The chemistry between Barbara and Max is solid, and the scene where Barbara is jogging and is attacked was very entertaining.

Wonder Woman 84 delivers a message of compassion and empathy, I think. Diana shows us that it takes real strength to love your enemy and that the true meaning of bravery lies in your respect and compassion for life. I liked how the fight sequence between cheetah and wonder woman is primarily a verbal fight scene. Diana feels compassion for Barbara and wants her to come to her senses…. the scene paid off for me.

The same thing for Max — Diana understands Max’s pain; she reasons with him and connects with his humanity. They both share emotionally well-acted scenes, which felt satisfying or even more satisfying than the action scenes.

Wonder Woman 84 is a complicated and bold movie to watch. It brings an unapologetic message of forgiveness, empathy, and kindness to the audience. Still, it doesn’t become preachy in its delivery—it is a superhero movie where both villains get a chance to redeem themselves and just walk away. Multiple viewings are needed to grasp what this movie attempts to execute.

Three out of Five Popcorn Bags 🍿🍿🍿

WONDER WOMAN 1984 (2020).

*MOVIE RECAP: JUSTICE LEAGUE

I don’t get excited when new superhero movies come out as much as I used to — it took me a few years to make time to watch this movie, and I actually ended up liking it better than I expected. Look, at the end of the day, I’m still a huge fanboy when it comes to all comic book movies, but I don’t take them that seriously anymore; I just sit back and enjoy the ride.

This is the closest a DC Extended Universe movie (DCEU) has come to a MARVEL movie. I think critics were way too harsh on this movie when it first came out, and it did not deserve all the abuse it received. I think I’m comfortable enough to say that I actually enjoy DCEU movies more than most Marvel movies (in terms of tone and execution).

The vibe and tone of Justice League are slightly lighter than previous DCEU movies…. And even though I prefer and appreciate the darker tone films from all the DCEU movies, I find myself welcoming the lighter vibe Justice League brings.

This version of BATMAN (Ben Affleck) is pretty damn good; Affleck’s performance has grown on me, especially as Bruce Wayne. WONDER WOMAN (Gal Gadot) continues to be the best-written character here, explaining why she wasn’t around for a hundred years since the events of the 2017 Wonder Woman movie made sense. Disappointingly, Wonder Woman 1984 pissed away all the solid groundwork done developing this character. SUPERMAN (Henry Cavill) was excellent; most of his scenes worked well for me, especially as he battled Steppenwolf. Jason Momoa was born to play AQUAMAN. (read my Aquaman recap on this blog).

FLASH (Ezra Miller) is funny, engaging, and very relatable. CYBORG (Ray Fisher) is a compelling character that needs his own movie at some point. Lois Lane (Amy Adams) was okay; her character didn’t do much, and I wanted to see more from her. STEPPENWOLF (Ciaran Hinds), as a villain, was an underdeveloped character, and I felt like there was no fundamental necessity to go full CGI here. Some people hated the PARADEMONS, but I didn’t mind them; I thought they were cool. There are some emotional moments, mainly from Martha Kent (Diane Lane). The post-credit scene with LEX LUTHOR (Jesse Eisenberg) was necessary for purposes of continuity.

Although there are some obvious flaws with this movie, JUSTICE LEAGUE is a highly entertaining addition to the DC EXTENDED UNIVERSE. There is a ton of potential here to build up future films around. I’m incredibly excited and curious to see how the Snyder cut will differ from this version.

Two out of Five Popcorn Bags 🍿🍿

Justice League (2017)

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