*CERATI: FUERZA NATURAL (Documentary)

The opening lyrics to the first track of Gustavo Cerati’s 2010 album Fuerza Natural evoke some profound emotions, and they always manage to put me in a reflective mood. Those opening lyrics are haunting….

Puedo equivocarme, Tengo todo por delante Y nunca me senti tan bien, Viajo sin moverme de aqui….

Rock en Español has always been a critical component of my musical DNA, and within that DNA, Gustavo Cerati’s music has played a crucial role in shaping saïd DNA. This is why I was beyond excited when I heard that a documentary about the making of Fuerza Natural was available.

We are transported back to the recording sessions of the Fuerza Natural album, which became Cerati’s final studio album—filmed by Leonardo Fresco, a musician who collaborated with Cerati many times and played keyboards on Fuerza Natural. This documentary is a black and white intimate look at Gustavo Cerati’s recording and creative process. And although this documentary piece is only 15 minutes long, it still manages to capture some remarkable images and moments.

We get to see some cool stuff, like the recording of the song Cactus (Track 8), as Cerati plays the acoustic guitar himself. We get a quick peek at the handwritten lyrics and music notes for He visto a Lucy (Track 13). We see some pretty neat, old-school special effects made in-studio.

He seemed deeply involved in the music-making process. We get to see him carefully listening and fine-tuning every single piece of musical notes, making adjustments, changes, and offering constant feedback to his studio band. There is a moment when we see Cerati providing input on exactly how he wanted the bass to sound like….. that was a pretty cool thing to see.

I also notice his constant chain-smoking, which might have contributed to the respiratory issues that he developed after suffering the stroke. It is pretty surreal watching him happy, full of life, creating magic in the recording studio, and then barely a year later, he would fall into a coma and lay on a hospital bed for four years until he died in 2014.

This short documentary piece is a must-watch for all Soda Stereo and Gustavo Cerati fans; for 15 minutes, we get to pretend that we are there with him, and he still is here with us.

*LIAM GALLAGHER — WHY ME WHY NOT (Album Recap)

I have always maintained that the closest thing my generation had to the Beatles was Oasis. I spent most of the 90s listening to bands like Oasis, Foo Fighters, U2, The Verve — you know, bands with guts and swagger. Those bands resonated deeply with me during my late teens to early 20s…..Hell, they still resonate with me today as I reach middle age.

I was pumped beyond belief when Liam Gallagher’s AS YOU WERE came out in 2017. It was a straightforward, kick-ass, in your face type of album. Furthermore, and most importantly, it was a guitar-based album, which is the type of albums that I usually prefer to listen to. I appreciate some experimentation here and there from some of my favorites bands. Still, certain things work just fine the way they are, and consistency is precisely what Liam Gallagher always delivers with his records.

Track 4: Paper Crown and track 5: For What is Worth are on constant replay in my daily playlist. Full disclosure; I do not own AS YOU WERE on vinyl yet. I bought the digital deluxe iTunes version when it came out…. but the LP is on top of my future purchases list.

WHY ME WHY NOT takes things to another level. This album rocks and kicks major ass. Liam is the personification of Rocknroll, and this album is so far his best work since Oasis.

Look, I am a nostalgic person by nature, and I would love nothing more than an Oasis reunion. However, this album is the closest thing to the vibe and sound of what an Oasis album should feel like. Noel Gallagher’s 2015, Chasing Yesterday, had a bit of an Oasis vibe to it, and it was a damn good album…. I think it would have made a perfect Oasis record.

I will not go on a track-by-track breakdown because every single track on this record rocks. However, there is a particularly interesting song, One of Us (Track 2). Liam has publicly stated that it is an “olive branch” to Noel, and most likely, his final reconciliation attempt.

Track 3, ONCE is ageless. I fucking love this song.

Liam has tapped into something unique here as a solo act; His live concerts are sold-out shows, and his albums are on top of the charts. All of his music videos are pretty cool, plus, there is an MTV Unplugged that just came out, which I already bought on iTunes, and I just ordered the LP version. The next thing for me on my wish list is to catch a live concert next time he comes through NYC.

*Bunbury-California​ live (Album Recap)

Live records are a rarity nowadays. There was a time not too long ago (it seems), when Live albums were a constant thing, even bootleg live recordings were a thing, but recently live albums are at a brink of extinction.

Lately, I have been going out of my way to acquire as many live records as I possibly can, or at least I am trying to. My LP vinyl collection is somewhat in its infancy, so I do not have an in-depth collection of live records as I would like to have, but I do have some pretty cool ones so far.

However, when it comes to Rock en Español, there seems to be a more significant demand for live albums, and interestingly enough this particular market has kept the MTV Unplugged brand alive and relevant for the last twenty years. Which is very refreshing to think about and it gives me hope that there still is a chance for a good instrument based albums and non-digital music to resurge.

Is safe to say that Bunbury is currently seating at the very top of the entire Rock en Español Mundo. There is absolutely nobody out there close enough to challenge his place in the scene, he is clearly leaps and bounds ahead of everybody else, and after listening to Bunbury’s latest album: California Live, his home in the Mount Rushmore of Rock en Español is now fully established right at the very top. 

California Live is more than just a live album, is also a journey through Bunbury’s musical career. The record includes songs from his days with HEROES DEL SILENCIO and songs from many of his solo albums. My only issue is that he did not include any songs from the album Flamingos, 2003, which is probably my favorite Bunbury album of all time, but I enjoyed this excellent live album, and I think it definitely is one of the best Rock en Español live records in recent memory.

The first five tracks are straight from his latest studio release (Expectativas,2017), 01. LA CEREMONIA DE LA CONFUSION, 02.LA ACTITUD CORRECTA, 03.CUNA DE CAIN, 04.EN BANDEJA DE PLATA, 05. PARECEMOS TONTOS. All these songs are now considered hits and very radio-friendly, these live versions show Bunbury on tip-top Rockero form. Most of the remaining tracks have a solid dose of saxophone infused in them. Previous Bunbury live albums did not include this particular musical ingredient, and the result is very satisfying.

06.EL ANZUELO– From the album, El Viaje a Ninguna Parte, 2004. This track, like many others in this album, is given a new life and sound, especially with the addition of the Saxophone as one of the main instruments. 07.El MAR NO CESA– This track is only available in the LP version. 08.EL RESCATE– From the album, El Viaje a Ninguna Parte, 2004. Once again, the Sax becomes the perfect companion to this track. 09.TESORO-From the album, El espíritu del vino, 1993 (Heroes del Silencio). This track is given a new feel, a new vibe, and a new life. The sax shines through once again giving it a modern feel. 10.DESPIERTA– From the album, Palosanto, 2013. This live version has a bigger rock anthem feel than the album version, especially when the audience gets involved singing along. 11.HAY MUY POCA GENTE-From the album, Hellville de Luxe, 2008. The only differences from the album version and the live version are the audience participation and a few sax cameos here and there. 12.HEROE DE LEYENDA-From the album, Heroe de Leyenda, 1987 (Heroes del Silencio). This version is an excellent new take on one of the great rock en Español classic anthems of all time. 13.MAS ALTO QUE NOSOTROS SOLO EL CIELO– From the album, Palosanto, 2013. The balance between the tempo and harmony is one of the high points of this entire album. 14.MAR ADENTRO– From the album, El Mar no Cesa, 1988 (Heroes del Silencio). This version feels like it belongs in one of Bunbury’s more recent albums, it has an updated feel to it when compared to the original 1988 version. 15.DE TODO EL MUNDO– From the album, Las Consecuencias, 2010. A gorgeous rendition, this is one of my all-time favorite Bunbury songs. The live version is a joy to listen to. 16.MALDITO DUENDE– From the album, Senderos de traición,1990 (Heroes del Silencio). The crowd participation is what makes this live version feel very special like you are right there with them, and you cannot help but sing along with them. 17.LA CONSTANTE– From the album, Expectativas, 2017. An excellent choice to bring this live album to an end with a beautiful romantic rock ballad. This song has become a favorite amongst Bunbury fanatics.