*MOVIE RECAP: COMING 2 AMERICA

Ok, sad to say this but Coming 2 America sucks ass — It is a terrible sequel, and it failed to live up to the greatness of the original Coming to America movie (1988).

First of all, Coming to America is a classic comedy; if it’s on TV when I’m browsing through channels, I always stop and watch it, regardless of how deep in the story the movie might be on. The original was rated R, and this sequel is PG-13, a major red flag right off the get-go.

Our old friend Prince Akeem (Eddie Murphy) from the fictional African kingdom of Zamunda is now king, and Lisa (Shari Headley) is the Queen; they have three young daughters. The central plot conflict here is that their marriage has not given them a male heir, which tradition dictates that only a male heir can lay claim to the throne of Zamunda.

Warlord General Izzy (Wesley Snipes) from a neighboring nation wants to marry his son with one of Akeem’s daughters to unite both kingdoms, bring peace, and avoid war. Obviously, King Akeem, Queen Lisa, and their daughters are opposed to this idea.

Akeem discovers that he has a son living in New York from a wild one-night stand during Akeem’s first visit to New York City. So now, presented with this new fact, Akeem decides to return to Queens in search of his long-lost son and convince him to take his rightful place as the future ruler of Zamunda.

Returning to NY, Akeem tracks down his illegitimate son Lavelle (Jermaine Fowler) and convinces him to move to Zamunda. But first, Lavelle will need to go through a training and learning process before establishing him as the future heir to the throne.

From this point on, whatever little promise this movie initially showed goes completely over a cliff.

Akeem becomes just another character here. The premise of this sequel entirely undoes Akeem’s journey of self-discovery from the original movie. Prince Akeem discovered something about himself through his 1988 journey while living and working in New York City, which he seemed to utterly forget 33 years later. His trip to America was also fun and hilarious, with the whole fish out of water angle. He was so unaware of the real world, hell-bent on finding his future wife in Queens. King Akeem spends almost no time in Queens or in NYC, which contradicts this sequel’s title. Maybe they should’ve just called this movie “Zamunda” or “Coming to Zamunda” instead of Coming 2 America.

I wanted to see a lot more of Semmi (Arsenio Hall), and we don’t really get much of him this time around. Wesley Snipes is hilarious; there is a level of Pageantry to his performance — I can tell he was having a blast with this role. Plus, the chemistry between Murphy and Snipes is excellent, probably my favorite thing from this movie.

Jermaine Fowler needed more time to develop his Lavelle character, similar to how Akeem was developed in the original film. Also, Leslie Jones and Tracy Morgan are annoying as fuck, especially with what they are given to work within their characters.

This next generation of Zamunda rulers was also poorly developed. And the jokes delivered by the new cast members don’t hit at all and fall flat…. I think I laughed once and chuckled a few times throughout the whole thing.

Nevertheless, the throwbacks to the original film are pretty cool. Watching John Amos, James Earl Jones, and Louie Anderson return was pure nostalgic awesomeness. I wished Eriq La Salle (Darryl) and Allison Dean (Patrice) had returned in some capacity.

It was great seeing the Barbershop guys back, you know, the old characters played by Arsenio Hall and Eddie Murphy. Although, it is hard to believe that those guys could still look the same as they did in ’88 or even be alive 33 years later. But hey, sometimes you have to suspend disbelief and go along for the sake of mindless entertainment.

Now, here is the potentially redeeming storyline if this coming to America franchise continues—so hear me out.

Colin Jost shows up early in this movie, playing Mr. Duke, a direct relative of the Duke Brothers from Eddie Murphy’s first film, Trading Places (1983). The Duke Brothers (Don Ameche & Ralph Bellamy) had an important cameo in Coming to America, which brilliantly ended up linking the Trading Places slash Coming to America universes together. And, if they continue to build upon this connection, therein lies the makings of a potential reboot of those two movie universes. Get Dan Akroyd, Jamie Lee Curtis, and Eddie Murphy on board, and here we go.

Despite taking 33 years to make this sequel, Coming 2 America is a sequel that we did not really need or wanted but expected to be better. It simply does not have the long-lasting comedic effect that the original 1988 movie had. Look, there is absolutely nothing wrong with a shameless exercise of fan service. Hell, I even welcome those types of movies from time to time. However, this movie just did not quite work for me. It is definitely a more family-friendly movie. But still, it comes off as lazy, unfunny, and not as edgy as the original.

One out of Five Popcorn Bags 🍿

Coming 2 America (2020).

*MOVIE RECAP: DOLEMITE

This is one of those movies that always seem to end up getting buried in algorithm purgatory. If you missed it when it was initially released, you have to search for it on Netflix’s endless catalog of original content. If it were a non-streaming release, it would probably be in constant rotation on cable TV.

Dolemite was a character created by standup performer Rudy Ray Moore back in the mid-70s. He performed as this Dolemite character during his standup routines, becoming a popular underground comedy act, and he eventually made comedy records as this character. All of those Dolemite LPs became bestselling comedy albums, reaching the bestselling charts.

Dolemite has been cited as a source of influence for many hip-hop artists that came out of the 80’s and 90s rap scene (Snoop Dog has credited Dolemite as his most significant influence).

During the blaxploitation era, Rudy Ray Moore made and acted in a bunch of blaxploitation films. However, his Dolemite character became his most iconic role.

Eddie Murphy is superb here playing Moore. He brilliantly captures the essence of this middle-aged performer who is still figuring things out as an artist and will not stop chasing his dream of being a star at this late stage of his life.

Wesley Snipes is excellent playing D’urville Smith, the director of the first Dolemite movie, who was never really sold on the concept of Dolemite but seized the opportunity of directing this movie as a springboard into other jobs. D’urville Smith was an actor best known for playing Diego, the elevator man on Rosemary’s Baby — I’m glad to see Wesley Snipes back on top form here.

Dolemite was Directed by Craig Brewer (Hustle & Flow), who also directed Murphy and Snipes in the sequel to Coming to America. Seasoned screenwriters Scott Alexander and Larry Karaszewski wrote this movie; They are a screenwriting team that has made a name for themselves, writing biopics like Ed Wood, Man on the Moon, and The People vs. Larry Flint.

Dolemite is My Name is a very inspiring movie; Rudy Ray Moore teaches us that it is never too late to pursue your dreams. You get the sense watching this film that everybody involved in the making of this movie treated this story with much respect, appreciation, and reverence. It should be on everyone’s watchlist.

Four out of Five Popcorn Bags 🍿🍿🍿🍿

DOLEMITE (2019). Streaming on Netflix