*MOVIE RECAP: DUNE — Part One

Embarrassingly enough, I went into this movie not having read the book. My knowledge of Frank Herbert’s Dune can be best summarized to a simple cliff notes overview of the story. And my other familiarity with the novel is that I used to sell hundreds of copies per year, back when I was a bookseller slash bookstore manager. It was a constant bestseller, so I always kept it in stock.

At the same time, I have to admit that I’m a bit biased when it comes to this movie. Full disclaimer, a few weeks before the official cast of Dune was announced, I got the chance to meet and exchange words with Timothee Chalamet briefly — Oscar Isaac made the introduction. Yes, THAT Oscar Isaac.

All told, I have been dealing with Mr. Isaac for a while now through my day job. He is a normal and down-to-earth dude — extremely likable and personable. Unlike some of those entitled Hollywood types, acting pretentious and asking to be treated special…ahem, Jeremy Strong…. I had an awkward conversation with Jeremy Strong on the phone once. But that is another story for a different time.

Anyhow, meeting Timothee Chalamet was a pretty awesome experience, and even though it was a brief encounter, it was a pretty memorable encounter; He shook my hand and said, “Hi, it is cool to meet you”….It made my day, week, month, and so on… and I haven’t shut up about it ever since.

So yes, it was my own personal “Hollywood moment.” One of many unique Hollywood moments — meeting celebrities is one of the cool perks of working in New York City.

Ok, about the movie. 

So this movie is officially named DUNE: Part One — because it is based on the first half of Frank Herbert’s 1965 Dune novel. And I assume that the next Dune movie will be based on the second half of the book — unless they decide to turn the entire first book into a trilogy, which I doubt.

I read in different pieces that Frank Herbert was heavily influenced by the 1926 book Seven Pillars of Wisdom by T.E Lawrence — which was the basis for the epic 1962 film Lawrence of Arabia directed by David Lean……One of my favorite films of all time.

In any case, the story of Dune takes place on a desert planet called Arrakis. The native people of this planet are called the Fremen — The Fremen are nomadic, Arab-looking tribes. They are ruled and oppressed by Baron Vladimir Harkonnen (Stellan Skarsgard) of the House Harkonnen; He is like a feudalistic planetary overlord of sorts.

The other power player here is the House of Atreides; Rule by Duke Leto Atreides (my boy, Oscar Isaac). Duke Leto’s young son Paul Atreides (Timothee Chalamet), heir to House Atreides.

The Emperor and supreme ruler of the known universe assigns Duke Leto to replace House Harkonnen as overlords of Arrakis and all of the “spice” mining operations there. Spice is a precious asset; it is the equivalent to oil in terms of power for fuel — You need this Spice for interstellar travel.

And here is where the fuckery starts…

There is a conspiracy between the Emperor and House Harkonnen to wipe out House Atreides from existence. So not long after arriving in Arrakis, there is a surprise attack by the combined forces of the Emperor and House Harkonnen to kill off House Atreides.

Young Paul Atreides and his mother, Lady Jessica (Rebecca Ferguson), escape, and the journey between boy and mother begin.

What pleasantly surprised me the most here was the solid screenwriting — primarily in how the knots and bolts of the story are explained to the audience. Mainly the opening scenes and the introduction of the Houses and the whole space mining concept, plus how the movie’s beginning gave us a quick background to the never-ending conflict between the ruling overlords and the Fremen. All of that was written and directed brilliantly, and it was very engaging.

Not having read the book, I was impressed with this adaptation because they did not try to force-feed the entire first book into one movie. Instead, they opted to split the books into parts and thus remain faithful to the source material. Therefore, it doesn’t feel like it was dumb down for the audience like some other adaptations out there.

Brilliant screenwriting work from Denis Villeneuve and his writing partners, Jon Spaihts (Prometheus, Passenger) and Eric Roth (Munich, The Good Shepherd, Forrest Gump, and The Insider).

Dune, the novel, is a complex and spectacular story that many consider unfilmable. But director Denis Villeneuve has created an exceptional experience here, adding a visual depth and dimension that I’m sure the book does not have — Villeneuve’s filmography is extraordinary with films like Blade Runner 2049 (2017) and The Arrival (2016), among others. So I’m not surprised by this achievement.

The scope and scale of this movie are epic and breathtaking. The combination of location shooting and special effects is outstanding. Bringing this world to life both digitally and physically is remarkable. The natural environment and the power of the desert felt real, which is something CGI or green screens cannot truly capture.

The atmospheric elements and the middle eastern imagery are well done. There is also a sense of spirituality and mysticism slowly being developed, which I’m sure will be further explored in upcoming films. On top of all that, Hans Zimmer’s score is superb.

The performances are excellent. Oscar Isaac, Josh Brolin, Jason Momoa, Javier Bardem, Dave Bautista, Zendaya, Stellan Skarsgard, and David Dastmalchia are all fantastic. There is an air of Marlon Brando from Apocalypse Now to Stellan Skarsgard’s character — No CGI, only prosthetics for Skarsgard — pretty cool.

Additionally, Rebecca Ferguson is noteworthy here; Lady Jessica is at the epicenter of the story, and Ferguson conveys such a powerful presence in every scene that she is in.

But objectively, Timothee Chalamet is the heart and soul here; he is perfect for this role. At first, he seems flat, stoic, and almost emotionless. But as the story evolves, you see him maturing and embracing his messianic destiny. There is a sense of vulnerability from Chalamet’s performance that merits praise.

And sure, this is another white savior story; however, it gets a pass from me, mainly because the source material is over 55 years old. My other issue is that they did not make time early enough in the story to explain to the audience about the whole aspect of sword-fighting with shields and how those personal shield devices can protect you. I hope there will be a director’s cut available at some point addressing some of the technology, like the whole thing with the lack of computers and Artificial Intelligence in this world.

Lastly, I find it interesting how they went out of their way to exaggerate Zendaya’s contribution here. The advertising was misleading — she was all over the promotion materials, hyping up her performance. Yet, she was in the movie for roughly 10 minutes, but it is evident that she will play a significant role in the second part.

All in all, Dune: Part One is a major cinematic achievement. Here is an adaptation that Hollywood got right, and I have not been this excited about a sci/fi slash fantasy series since the original Lord of the Rings trilogy back in the early 2000s.

Four out of Five Popcorn Bags 🍿🍿🍿🍿

DUNE: Part One (2021).

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